The gist of the talk centers on the ways in which Romero (and his fellow zombie filmmakers*) show their understanding of the workings of the human brain.
Anyway, the article brings up some interesting observations:
"And that's the crux of one of Schlozman's arguments: The story changes as the situation grows grimmer. Here, the professor draws on "mirror neuron" theory, which holds that humans are hard-wired to reflect the psychological states of the people around them. (Show a test subject a short film of a face displaying disgust, or pleasure, and regions of the brain associated with those feelings activate in the subject.)"
It almost convinces me that I could understand neuropsychology. But, of course, only if there are zombies involved.
[READ THE ARTICLE HERE.]
*These are--sadly--filmmakers who make films about zombies, not filmmakers who are themselves undead.
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